![]() ![]() However, whether Lees has approached the Leonardo da Vinci level of natural authenticity desired by contemporary Henry Peach Robinson is left open for debate. Lees has paid attention to popular recommendations for photography studio backdrops that encouraged photographers to approach the background of their composition with “as much attention as would an artist painting a picture.” For instance, he painted this backdrop with gradation, creating depth complimentary to the presentation of his subjects. Although this may have created an image that seems somewhat comedic to modern day viewers, the inclusion of this horseless carriage, even as a painted cardboard cut-out, speaks to the values and studio practices of the time period. William Lees, a photographer known for his unique and entertaining studio backdrops, captured this family in front of a painted landscape where they are positioned around and inside of a painted studio prop car. ![]() ![]() The presence of the automobile in this cabinet card (figure 1), made at a photography studio in Portobello, Scotland, suggests a general excitement for the ever increasing popularity of this new method of transportation. ![]()
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